Books with author Linda Oatman High

TERL Boosters offer expansion opportunities for your Teen Emergent Reader Libraries. Unlike the libraries, Booster titles are sold individually. Each Booster level supports a TERL library. Boosters can also stand alone and are excellent hi-lo classroom books. There are six Booster titles supporting each level of TERL. STEM Boosters offer a unique way to delve into science, technology, engineering, and math for emergent readers. Verse Boosters introduce readers to the versatility of contemporary poetry. BUY TITLES INDIVIDUALLY!

Like watching a movie frame by frame, we watch Lexi is come unglued in this novel in verse. She's alienated from school and family. Her father is in the county jail. She cannot connect with her chain-smoking stepmom. Her brother, Blaine, is trapped in his own autistic world. And her infant sister's death has sent her into a spiral of grief and rebellion. Bright, witty, and irreverent, Lexi tries to navigate the rocky transition from adolescent to young woman.Just like prose, a novel in verse tells a story. But verse is unique because readers access the text through short chapters, or poems. The varying lengths of the chapters are ideal for a struggling reader, giving them breaks to collect their thoughts, to imagine the characters in their mind s eye, and to set the scene like a frame in a movie. The structure of poetry makes the books appear less intimidating, with plenty of airy white space. Moreover, the depth and substance conveyed in verse is every bit as deep and real as in a Gravel Road prose novel.

A poignant middle grade animal story from talented author Linda Oatman High that will appeal to fans of Katherine Applegate’s The One and Only Ivan. In this heartwarming novel, a girl and an elephant face the same devastating loss—and slowly realize that they share the same powerful love. Twelve-year-old Lily Pruitt loves her grandparents, but she doesn’t love the circus—and the circus is their life. She’s perfectly happy to stay with her father, away from her neglectful mother and her grandfather’s beloved elephant, Queenie Grace.Then Grandpa Bill dies, and both Lily and Queenie Grace are devastated. When Lily travels to Florida for the funeral, she keeps her distance from the elephant. But the two are mourning the same man—and form a bond born of loss. And when Queenie Grace faces danger, Lily must come up with a plan to help save her friend.

A poignant middle grade animal story from talented author Linda Oatman High that will appeal to fans of Katherine Applegate’s The One and Only Ivan. In this heartwarming novel, a girl and an elephant face the same devastating loss—and slowly realize that they share the same powerful love. Twelve-year-old Lily Pruitt loves her grandparents, but she doesn’t love the circus—and the circus is their life. She’s perfectly happy to stay with her father, away from her neglectful mother and her grandfather’s beloved elephant, Queenie Grace.Then Grandpa Bill dies, and both Lily and Queenie Grace are devastated. When Lily travels to Florida for the funeral, she keeps her distance from the elephant. But the two are mourning the same man—and form a bond born of loss. And when Queenie Grace faces danger, Lily must come up with a plan to help save her friend.

A law has been passed. There will be no more genders. Everyone must appear gender neutral. No more boys. No more girls. Just ... Otherwise. Same bland clothes. Same fuzzy heads. Spark dreads the countdown leading up to the finality of the new law s passage. Her parents are for it. They're tired of conforming to society's standards. But they allow her to take off for a quick camping trip to gather her thoughts. At the campsite, she meets Whistler And the attraction is instant and mutual. But who is Whistler? And what is Whistler? Boy? Or girl? This gender-bending story in verse will make readers question everything they thought they knew about love, chemistry, and cultural norms.Hard-hitting, contemporary young adult fiction is not trendy--it s not dystopia. There are no vampires, no werewolves, no castles. It s real life. It s unflinching. Gravel Road highlights the talent of YA authors committed to creating realistic fiction with emotional authenticity. No topic is off-limits: suicide, homosexuality, drugs, rape, gangs, bullying. Teens live with this reality each day. And they find a way to survive. Each paperback book is 200 to 275 pages.

Macy is dead. Selfies while driving never end well. She knows it now #suckstobeme. And she has unfinished business. Her friend Ryan is planning to shoot up the school. But the afterlife is so ... unexpected. She gets distracted. Who knew she would find love?Just like prose, a novel in verse tells a story. But verse is unique because readers access the text through short chapters, or poems. The varying lengths of the chapters are ideal for a struggling reader, giving them breaks to collect their thoughts, to imagine the characters in their mind's eye, and to set the scene like a frame in a movie. The structure of poetry makes the books appear less intimidating, with plenty of airy white space. Moreover, the depth and substance conveyed in verse is every bit as deep and real as in a Gravel Road prose novel.

Like watching a movie frame by frame, we watch Lexi is come unglued in this novel in verse. She’s alienated from school and family. Her father is in the county jail. She cannot connect with her chain-smoking stepmom. Her brother, Blaine, is trapped in his own autistic world. And her infant sister’s death has sent her into a spiral of grief and rebellion. Bright, witty, and irreverent, Lexi tries to navigate the rocky transition from adolescent to young woman.

Her family runs Stevens Brothers Funeral Home. Which is ironic, since Faith Hope Stevens is not long for this world. Unless someone dies. Unless there is a match. Staying alive will mean a heart transplant. Faith copes with wit and nerve. She's also a little angry. She will never grow old. She will never have a boyfriend. Then one shocking day everything changes ... Just like prose, a novel in verse tells a story. But verse is unique because readers access the text through short chapters, or poems. The varying lengths of the chapters are ideal for a struggling reader, giving them breaks to collect their thoughts, to imagine the characters in their mind s eye, and to set the scene like a frame in a movie. The structure of poetry makes the books appear less intimidating, with plenty of airy white space. Moreover, the depth and substance conveyed in verse is every bit as deep and real as in a Gravel Road prose novel.

"I was smitten, bitten by a love bug or somethingI didn't even care that I'd just been hit.I was in deep smit." Laura Crapper, a seventeen-year-old combat-boot-wearing poet with spiked red hair, renames herself Sister Slam and hits the road with her best friend, Twig. On the way into the slam poetry world of New York City, they hit a pig, get pulled over by the cops, fight with a poetry contest's judge, lose the contest, get into two more fender benders, fight with each other, and finally land on the front page of a newspaper in New York City for their amazing impromptu performance at the famous Tavern on the Green. The girls and their fresh style of poetry take the city by storm, but when Laura's father back in Pennsylvannia has a heart attack she must face her fears about home and the still-raw loss of her mother. An inspiring romp of a coming-of-age story, written entirely in Laura's in-your-face slam poetry style, that proves you don't have to give up your home in order to live your dream.

Her family runs Stevens Brothers Funeral Home. Which is ironic, since Faith Hope Stevens is not long for this world. Unless someone dies. Unless there is a match. Staying alive will mean a heart transplant. Faith copes with wit and nerve. She’s also a little pissed off. She will never grow old. She will never have a boyfriend. Then one shocking day everything changes ...Just like prose, a novel in verse tells a story. But verse is unique because readers access the text through short “chapters,” or poems. The varying lengths of the chapters are ideal for a struggling reader, giving them breaks to collect their thoughts, to imagine the characters in their mind’s eye, and to set the scene—like a frame in a movie. The structure of poetry makes the books appear less intimidating, with plenty of airy white space. Moreover, the depth and substance conveyed in verse is every bit as deep and real as in a Gravel Road prose novel.